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A
high impact, theatrical entertainment experience for all audiences, “JUNGUA–Descendents
of the Dragon” celebrates the Chinese culture
in an explosion of kungfu, acrobatics, music and dance. The amazing
skills of China's finest acrobats and martial arts masters combine
with modern staging, exciting choreography, and dramatic music
and lighting to immerse the senses. JUNGUA is a theatrical hybrid,
presenting these cultural treasures of China from a uniquely modern
perspective. Featuring the “Shaolin Disciples and the Imperial
Acrobats of China,” JUNGUA combines the best talents and
revered cultural traditions of the far-east with modern production
values, contemporary artistic direction and an evocative musical
score. With lightening fast fight sequences and traditional weapons
demonstrations, the Shaolin Disciples perform super-human feats
of “Qigong” in which their bodies become impervious
to spears, beds of nails, and various rocks, bricks, sticks,
and steel bars broken over their heads and other parts of their
bodies. Their unsurpassed abilities as contortionists, hand balancers,
foot jugglers, and aerialists are legendary.
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The 2006-2007 season
marked the debut North American performances of The State Ballet
Theater of Russia, which is the touring name of The Voronezh State
Theatre of Opera and Ballet, established in 1961. The repertoire
of the theatre includes work by both classical and modern Russian
composers including: Swan Lake, The Sleeping Beauty, Cinderella,
The Nutcracker, Giselle, Don Quixote, Le Sylphide, Scheherazade,
Gavalry Halt, The Stone Flower, 1001 Nights, Carmen-suite, Cipollino,
Doctor Aubolit, Francesca di Rimini and The Fountain of Bakhchisarai.
The State Ballet Theatre of Russia has toured with productions
of traditional Russian classics throughout France, (performing
Sleeping Beauty in 38 cities), Germany, Holland and Czechoslovakia,
as well as in India and throughout Africa with engagements in Tunisia,
Zimbabwe, and Ethiopia. Among the company’s 54 dancers are
many distinguished Russian artists and winners of many international
ballet competitions.
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Six time Grammy winners, The Chieftains are now recognized for
bringing traditional Irish music to the world's attention. They have
uncovered the wealth of traditional Irish music that has accumulated
over the centuries, making the music their own with a style that
is as exhilarating as it is definitive.
Although their early following
was purely a folk audience, the range and variation of their music
quickly captured a much broader public, making them the best known
Irish band in the world today. In their 40 years together, The Chieftains
have performed around the world, including China, Berlin, and the
Capitol Building of Washington DC. They have performed with many
symphony and folk orchestras worldwide, and have broken many musical
boundaries by collaborating and performing with some of the biggest
names in rock, pop and traditional music in Ireland and around the
world.
As Ireland's Official Musical Ambassadors, The Chieftains
are as comfortable playing spontaneous Irish sessions as they are
headlining a concert at Carnegie Hall. After all these years of making
some of the most beautiful music in the world, The Chieftains' music
remains as fresh and relevant as when they first began.
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Kodo is a group
whose activities are centered on the Japanese drum, or ‘taiko’.
While exploring the countless byways of the traditional
performing arts, Kodo strives to create something new for
the modern age. The name ‘Kodo’ conveys two
meanings. The literal readings of the two characters that
make up the name in Japanese are ‘drum’ and ‘child’–conveying
Kodo's desire to play the taiko purely, with the heart
of a child. The word Kodo is also a homonym for ‘heartbeat’–humanity’s
most fundamental source of rhythm–the first sound
a child hears in their mother’s womb. Since Kodo’s
debut at the Berlin Festival in 1981, one third of the
year has been spent touring Japan, a third on Sado Island,
and the rest of the year touring overseas.
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The Ten Tenors
have captivated audiences around the world with the group’s
trademark, “Opera without the Boring Bits.” Formed
in Brisbane, Australia, in 1995 while still university
students studying for opera careers, The Ten Tenors mounted
their first full-length show in 1998 and set out on an
extensive Australian tour during that academic year. In
typical Australian fashion, The Ten Tenors never take themselves
too seriously, so while they are capable of singing dramatic,
moving ballads, they can also cut loose with an ABBA, Bee
Gees, Beach Boys or Queen song in their live shows, even
throwing in some choreographed dance moves to make the
performance as much fun for them as for their audiences.
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